Tuesday, November 20, 2012

The Lion King - Hakuna Matata

So you know, how everyone says the musical of The Lion King is amazing.  How it's such a great story and who would've thought they could translate it to stage?  And you're all, "yeah, yeah, yeah... I saw the movie, it's about animals, and it's by Disney.  Of course it's good, but how much better could a stage show be?"  Ok, well maybe YOU weren't like that, but I was.  And I was WRONG!  I'm not sure how to describe this show, because AMAZING doesn't do it justice.  It really doesn't.  Yes, the story, the music, etc... was done for the movie, and Disney does movies REALLY WELL. But for the stage, I would say, they took the idea of a musical to a whole new level.  Strong words, right?  I don't use them lightly trust me.  I think the thing that struck me the most was the costumes and sets.  I expected the performers to be phenomenal, and they were.  I knew the story and the songs and the stage show were true to the best parts of those.  They also added a couple extra songs just for the stage show.  All of it, above par and exactly what you would expect from a show that has been playing on Broadway since 1997, played over 33,000 performances worldwide and won over 70 international theater awards.  (Yeah, I bought the program.) What I did not expect was that the costumes and sets would be full characters in the show. (Cue record scratch noise.)  I know that sounds weird, but it's true.  And I also know my attempt to explain it, will come no where near doing it justice, so after you're done reading this you should get tickets and see for yourself.

Instead  of dressing the actors up in makeup & fur (think Cats,) they interlaced the actors with makeup and masks, and in a few cases, puppets.  In doing this, they were able to utilize the actors expressions, but keep the characters in the context of being animals.  For instance, Mustafa's makeup is not of a lion at all, it's "inspired by Masai tribal decoration."  When Mustafa is in his normal day to day "voice" his emotions are conveyed through his face.  When his emotions run hot & he is conveying his power, the actor utilizes his mask. We can still see the actor's face & the emotions he's eliciting, but the costume isn't limiting his movement or voice.  By having both a mask, makeup and costume the actor is able to convey how large his emotions are, and we can see and feel them from the audience.   The pride's makeup is similar in that it isn't a direct translation of a lions face.  But in the case of Pumba & Timon, the actors are "fused" w/the puppets.  Their movements are reflective of the animal, but their ability to move and emote are not limited by the costume they wear.  (See, this is the part where you're probably going "Wha???" and it's why you really, really need to see this show for yourself.) 

In terms of the sets being a character in their own right; Africa is huge right?  They have plains of sweeping grasses, and jungles w/foliage so thick you can't see a foot in front of you.  How does one take those types of vistas and convey them on a stage?  They did it in ways that utilized the actors and the set itself.  But they also allowed room for the audience to "bridge" with their imagination.  For instance, there's a scene in which Simba is bouncing back and forth over a stream/river.  For the water they used blue, knee-high material stretched across the stage. I assume it was held on either end by people, as it was turned broadside.  An offstage fan, gently waved the fabric to emulate the movement of water.  They utilized lights and puppets moving behind the fabric to imply fish were swimming in the stream.  It wasn't a big scene, but it's a great example of the level of detail they went to, to convey their location.  In a scene involving "grassy plains" they have performers dressed in the different grasses.  They wear'skirts' that looked like the long yellow grass, and the movement of these 'skirts' implied the movement of those grasses in the wind.  The performers wear 'hats' or platforms of green grass.  The costumes allowed them to evoke the movement and different heights that these grasses would have been at in a large plain in Africa.  The imagination of the designers is truly phenomenal. 

Of note, my girls are scaredy cats. (That's the understatement of the century.)  I'm the Queen of the Horror Novel, so I am perplexed by my kids' inability to disconnect reality from fantasy.  (The oldest one is 9yo now.  She won't even attempt to read Harry Potter, yet!  How is she even related to me???)  Both my kids were leery of this show because (spoiler alert!) Mustafa dies in it.  We talked it through, and they've seen the movie, but both had misgivings about it.  We told them we would let them leave if it got too hairy.  (Yeah, right.) It never did though.  My  6yo had a little bit of trouble understanding that, that's what happened when Mustafa did die.  There are so many things going on, I think she had a little trouble putting it all together, which was good, for us.  Our tickets were for a weeknight and I was concerned about such a late night on a school night.  In the end, my girls LOVED it and I ended up declaring the next day as a mental health day and we spent it in our PJs. (Hakuna Matata, right?)  The experience was well worth it.  I'm so glad I decided it was worth a late night.  While there were kids as young as 2 or 3 in the audience, it's a LONG show.  Your kid may love it, but the theater is packed, and I would recommend kids being at least 5yo for such a performance.   At the very least, consider the cost vs leaving early, and the other patrons who paid to see the show too.  Lastly, I would be amiss if didn't mention that I did receive my tickets, along with a VIP package to attend this show.  This was actually part of how I got my two scaredy cats to go.  We had a meet & greet w/the adult actors who played Simba & Nala.  Seeing them out of makeup before hand really made a huge difference for my kids.  They did not ask me what to write, only that I write my honest opinions in regard to this show.  I have two friends who have already purchased tickets, per my experience.  I know you won't be disappointed if you do the same.

The Lion King is playing in the Orpheum Theature in San Francisco through January 13, 2013.  You can contact them online or by calling 1-888-746-1799.

Tuesday, July 17, 2012

Give the teacher an Apple.... Dora Phonics


So way back when...2, err 3, years ago, when I was so ahead of the curve & got my kids their own iTouches, I was planning on writing a post on here about Kid's Apps that I pink puffy heart.  That list has evolved somewhat, (less than you'd think,) as my girls have gotten older.  Truthfully, it hasn't changed all that much.  I did want to give a shout out to a particular app that should be getting some big time praise. 

The app is Dora Hops into Phonics.
One of the main areas of speech that Little is struggling with is phonics within a word.  She's got the first sound down & if she's focused, even gets the ending sound.  It's those middle ones that are hard.  Before, I had a diagnosis for what was up with her, we had downloaded several educational apps.  Upon talking a good friend who is a speech pathologist, she gave me the name of the company who has supplied the brick & mortar type tools used by her trade for years.  They do have apps, but I'm not going to give their name bc, 1) I think their apps are crap, 2) their stuff was geared toward a "teacher" with many students.  Obviously, I'm not a teacher or a pathologist, so my needs were different.  From what I could tell, these apps were made by someone who does apps, not by someone who does the speech part.  I suspect, they are really well developed from a tracking standpoint.  I do not need to track a bunch of kids, just one.

Dora Hops into Phonics was created by someone who understands what needs to be taught and how best to teach it on a handheld device. (Kudos to Nickelodeon for find that person. They are few and far between & I hope you are paying them well.  Give them a raise, they deserve it!)  It has been a huge help for Little.  She's engaged, and learning at the same time.  It teaches her the phonics lesson, but it also has little games w/in the game to hold her attention.  Whomever designed this, really understood their target audience.  Some of the games involve skills akin to "Angry Birds" which translated well for my kid.  If she's frustrated or overwhelmed w/the level/lesson she just covered, well they have a little rest stop over here for you to take a break and keep it fun.  There are other apps who cover this subject, and we do have another Dora app from which to compare.  This particular app deserves praise in the respect, that it's teach my child w/out her realizing it.  She's not even a huge Dora fan, but she likes the game so much, that she plays still plays it.